THE LARK
by
Dana Glossbrenner
Genre: Humorous Literary Fiction
Publisher: Boldface Books
Date of Publication: June 7, 2016
Number of Pages: 270
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You’re never too old to learn—or too young
Good-looking, good-hearted Charley Bristow’s the most sought-after hair stylist in five West Texas counties. He’s an expert on the dance floor and sharp at the pool tables, too—but when it comes to picking cars, dogs, and women, luck hasn’t quite gone his way lately. And there’s the ever-present worry over his mother, whose own trailer-park plight he’d just as soon steer clear of.
Just when he’s sworn off temptation of the female sort, an evening at the local honky-tonk drives two prime targets right into his path. Weighing the sudden wealth of options in his love life, while also searching for the right choice of wheels to suit his needs, Charley stumbles upon a long-hidden secret and an unforeseen road to redemption.
The colorful denizens of the Wild Hare Salon, Jarod’s Automotive, and Hopper’s nightclub, along with those of the Briargrove First Methodist Church and the Sulfur Gap Centennial Celebration, will two-step their way right into your heart, to music as familiar as Willie Nelson and Charley Pride. And you just might start to fall in love with an old Johnny Mercer tune, too, as Charley Bristow faces his past and embraces the challenge of his future.
Praise for The Lark
“Good-time Charley” Bristow is a popular twenty-something West Texas hairstylist who’s already dodged two bullets with two failed marriages (the second time, literally). . . . The Lark invites us to join Charley’s friends, the rural cosmopolitans of Sulfur Gap, and ride shotgun alongside this rogue with an honest heart . . . on a journey into his past. Dana Glossbrenner has crafted a totally engaging quest for happiness, set it in a totally genuine contemporary Texas, and delivered up great characters for a great read.
— Cliff Hudder, author of Splinterville and Pretty Enough for You
Charley Bristow takes some things seriously–work, dancing, pool-playing, and women, but maybe not in that order. He finds the true importance of friends and family.
— Rick Smith, San Angelo Standard Times
Where’d You Get Those Characters?
I began to hear the most frequently-asked question right away: “Are your characters based on anyone you know?” With my first published novel, The Lark, I gave advance reading copies to people whose opinion I value and, yes, to those who would post that valued opinion in an Amazon review when the book became available. They asked, “Where’d the characters come from?” Friends asked if they would recognize themselves in the book. And others inquired, “Where did you get the idea for Charley?”
When I first started writing short stories, I made up fictional names and told true stories. Truth is often better—and wilder—than fiction. There are remarkable situations when people say, “You can’t make this stuff up!” But I found myself working too hard to preserve the real story. The first time I wrote about a totally fictional character in a completely made-up story, my husband said, “Your writing is better when you’re not trying to fit things in to something you already know about.” I decided he was right.
Here’s how Charley, the main character in The Lark evolved. I knew a bunch of interesting ladies who work at the beauty salon I visit for haircuts and the occasional chair massage or manicure. I had written a couple of stories about women working in a salon. Someone observed, “Sounds like Steel Magnolias,” when I told her about my stories. Oh. Not too happy about my lack of originality, I decided to start a story with a young female hair stylist who marries an older man who is a drummer in a band. About thirty pages in, I began to bore myself. I was thinking, “How can I punch this up?”
I remembered a presentation by a local author at our writers’ club, in which he said, “If things feel too conventional, turn them upside down.” So Charlene became Charley, and the drummer, Lou, became an older lady. And then I decided to take off in a different direction from the plot I had in mind. The basic settings stayed the same—the nightclub (invented), the hair salon (adapted from my real one but different), and Sulfur Gap (a composite of small West Texas towns I know).
Once Charley appeared, he took on a life of his own. I knew him. Thomas Hardy said, “Character is destiny.” That’s true of real people as well as the characters writers create. Once I knew Charley, I knew what needed to happen within my world-view, which isn’t fantasy, sci-fi, or horror.
But characters don’t magically appear. When I’m formulating a story (a novel, a segment, or a short story), I start sketching. I write the character’s name in the center of a page, and then I jot down everything I know about that person and where he or she is headed in the arc of the plot. Sometimes I realize that the plot will need adjustments to fit the character, since a plot works best if it’s character-driven. Sometimes I change the character’s name.
I focus on the character’s conflicts—what the person brings into the storyline—both the baggage and the laurels. Has he or she missed out on life because of an over-developed sense of self-sacrifice? Does the character harbor a guilty secret? Is the character trying to overcome a handicap, such as being a total nerd? Has the character been hurt deeply by someone or by a stroke of fate? Who or what does the character love most? From this comes focus on motivation, which then drives the plot.
Alongside this diagram, I begin to jot notes about how the character’s segment of life that I am portraying will play out within the setting and the basic plot line.
Another helpful approach is to write a character sketch—like the old high school English assignments–Write a character sketch of Lennie in Of Mice and Men. If characters don’t come into focus, I write a description of them—discover who they are. What I describe about that character is what I will show as the plot thickens. It’s a great tool to solidify a character in my thoughts.
So this is part of the very long answer to the question, “Where’d those characters come from?”
The short answer is “My head.”
Dana Glossbrenner’s debut novel, The Lark, features Charley Bristow, a successful young hair stylist in a small West Texas town. His misadventures provide humor, intrigue, and catharsis, as he discovers a lost family history. Women Behind Stained Glass: West Texas Pioneers, a historical work, recounts the lives of women who helped settle the area around San Angelo, Texas.Glossbrenner taught high school and university English classes and worked as a guidance counselor. She grew up in Snyder, Texas, earned degrees from Texas Tech, Angelo State University, and Texas State University. She now lives in San Angelo, Texas.
She cites Larry McMurtry, Cormac McCarthy, and Elmer Kelton as major inspirations for writing about Texas.
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