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Guest Post & Giveaway: The Unremembered Girl by Eliza Maxwell


THE UNREMEMBERED GIRL

by
ELIZA MAXWELL
  Genre: Psychological Suspense / Mystery
Publisher: Lake Union Publishing
Date of Publication: November 1, 2017
Number of Pages: 332
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In the deep woods of East Texas, Henry supports his family by selling bootleg liquor. It’s all he can do to keep his compassionate but ailing mother and his stepfather—a fanatical grassroots minister with a bruising rhetoric—from ruin. But they have no idea they’ve become the obsession of the girl in the woods.
Abandoned and nearly feral, Eve has been watching them, seduced by the notion of family—something she’s known only in the most brutal sense. Soon she can’t resist the temptation to get close. Where Henry’s mother sees a poor girl in need, his father sees only wickedness. When Henry forges an unexpected bond with Eve, he believes he might be able to save her. He doesn’t know how wrong he is.
Eve is about to take charge of her own destiny—and that of Henry’s family. As both their worlds spin violently out of control, Henry must make an impossible choice: protect the broken young woman who’s claimed a piece of his soul, or put everyone he loves at risk in order to do the right thing.


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Praise for The Grave Tender, Maxwell’s previous book:

“An emotional powerhouse of a story that will leave readers reeling from the beginning to the end.” —Christena Stephens, Forgotten Winds

“Beautiful and intoxicating.” —Chelsea Humphrey, The Suspense is Thrilling Me

“Haunting. Lyrical. Beautiful. Dark. At times, sickening.” —Julia Byers, Books in the Garden

“This is dark psychological suspense that skillfully inspires a slow-dawning dread. . .It will shred you.” — Michelle Newby, Lone Star Literary Life
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GuestPost

Building a Book

GUEST POST

By Author Eliza Maxwell

 

A few years ago, my parents decided to retire and buy their dream home.  In keeping with their life long tendency to go steadfastly in the opposite direction of sane people, I shouldn’t have been surprised by the sight.  I’m not exaggerating when I tell you, it was a shack.  Literally.  A shack on stilts, located dead center of nowhere, in a swamp where the alligators outnumbered the far-flung neighbors. By a lot.

“It has bars on the windows!”  I said.  “Why does it have bars on the windows?”

Mom shrugged.  “It has a hole in the floor, too.”

Imagine my face.

“A hole?  Was someone trying to get in… Or trying to get out?”

Aaaaand… she shrugged at me again.  

A master of the shrug, my mom.

“Oh, calm down,” she said.  “We’re not going to live here.  It’s just a staging area while we build a house.”

A small sigh of relief, but short-lived.  Said future home at that time consisted of nothing more than conceptual drawings sketched out in my dad’s familiar scrawl.  As I lie there that night, listening to the scratch of things best not named across the roof and the hoots and calls of the wildlife that had claimed this murky green place long before my parents, I fell asleep to the dance and sway of the old battered building stretching on its precarious perch.

I’ll admit, I’ve had better night’s sleep.  But in between the fits and starts of waking to “The Shack” inexplicably shifting from one side to another (No, I’m not joking. The place moved.) the seeds of Henry and Eve’s story were planted.

A love story, maybe.  But the darker side of love.  A love that’s nothing less than the worst thing that could ever happen.  A love you might not survive.  A love that could bury you.

Over the next few months, my dad built a house, and I built a book.

The shack is still there, waiting.

“What are you guys going to do with that thing?” I asked.

My mom just shrugged.

Eliza Maxwell lives in Texas with her ever patient husband and two kids. She’s an artist and writer, an introvert and a British cop drama addict. She loves nothing more than to hear from readers. You can find her at theelizamaxwell@gmail.com
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GIVEAWAY!  GIVEAWAY!  GIVEAWAY!
Grand Prize ($90 value): Autographed copy of The Unremembered Girl, 1.75 mL bottle of Deep Eddy Lemon Vodka, Jusalpha white porcelain decorative cake stand, recipe for “Caroline’s Coconut Cake” (featured in the book), $20 Amazon Gift Card.
2nd Prize: Autographed copy of The Unremembered Girl, $10 Amazon Gift Card
3rd Prize: Autographed copy of The Unremembered Girl
October 5-October 14, 2017
(U.S. Only; proof of age 21 or older required to receive vodka)
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Mysteries of Love and Grief by Sandra Scofield

Reflections on a Plainswoman’s Life
by 
Sandra Scofield
Frieda Harms was born into a farming family in Indian Territory in 1906. Widowed at thirty and left with three children in the midst of the Great Depression, she worked as a farmer, a railroad cook, a mill worker, and a nurse in four states. She died in 1983.
Sandra Scofield spent most of her childhood with her grandmother Frieda and remained close to her in adulthood. When Frieda died, Sandra received her Bible and boxes of her photographs, letters, and notes. For thirty years, Sandra dipped into that cache.
Sandra always sensed an undercurrent of hard feelings within her grandmother, but it was not until she sifted through Frieda’s belongings that she began to understand how much her life had demanded, and how much she had given. At the same time, questions in Sandra’s own history began to be answered, especially about the tug-of-war between her mother and grandmother. At last, in Mysteries of Love and Grief, Scofield wrestles with the meaning of her grandmother’s saga of labor and loss, trying to balance her need to understand with respect for Frieda’s mystery.
 
BUY LINKS: AMAZON ~ Texas Tech Press ~ B&N
 
 
Praise for MYSTERIES OF LOVE AND GRIEF
 
Throughout her depiction of her own family, Scofield kept me surprised—a moment of generosity when I didn’t expect it or of anger when I didn’t expect that. Mysteries remain as they must, but I trusted the insights as well as the mysteries. I thought it was a very beautiful book, smart and sharp.
Karen Joy Fowler, author of We Are All Completely Beside Ourselves and The Jane Austen Book Club
 
Largely ungoverned by chronology, Scofield’s journey of discovery unfolds organically, true to the way memory works. Seeking to know her grandmother, she honors the lives and artistic bent of many women marginalized by gender and poverty in the early to mid-twentieth century. This is a unique and necessary work.
Lorraine M. López, author of Homicide Survivors Picnic and Other Stories and The Darling
Review
I have no idea why I was expecting a Little House on the Prairie type experience (maybe because she references the series a few times in the book), but this was not it. That’s not a bad thing when you consider that Little House glosses over things like extreme poverty, death, and doing illegal activities (shame on you, Pa). The pain and confusion Scofield feels for her mother and grandmother are evident throughout the memoir. While I was confused now and then (I could never get the hang of her calling everyone by first name rather than “Mother” and “Aunt”), I could relate to the mixed feelings about family. I know all too well the wanting to move away and move on, but finding yourself running back to where you came from. My takeaway from this writing was that we don’t always get to know the truth, definitely not all of it, but we should embrace the love while it’s with us. Also, Texas breeds some strong ass, independent women. I think I would love having a coffee talk with Scofield.
 
 

A native Texan, Sandra Scofield divides her time between Missoula, Montana, and Portland, Oregon. 
 
She has written seven novels, a memoir, and a craft book for writers. An excerpt from Mysteries of Love and Grief won first place in Narrative magazine’s 2014 Spring Story Contest. She is an avid landscape painter.
 
 
 
 
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