Genre: Southern Historical Fiction
Date of Publication: March 7, 2017
Number of Pages: 288
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A Bible’s family tree and an embroidered handkerchief hold the key to understanding the past as six generation Texan, Gracey Reiter, prepares to say goodbye to her dying father, the last surviving member of the Walsh-Mueller family. The present holds the answer and the last opportunity for Gracey to understand her father’s anger, her mother’s guilt, and her siblings’ version of the truth.
The Walsh-Mueller family begins in Texas when Patricia Walsh leaves the famine of nineteenth century Ireland, losing her parents and siblings along the way. She finds a home, love, and security with Emil Mueller in a German settlement near Indianola on the Texas Gulf Coast. They begin their lives on a small cotton farm, raising six sons. From the coastal plains of Texas, five generations survive hurricanes, wars, The Great Depression, and life, itself.
An all-encompassing novel that penetrates the core being of all who read it, A Good Girl pulls back the skin to reveal the raw actualities of life, love and relationships. It is the ageless story of family.
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PRAISE FOR A GOOD GIRL:
*2017 Kindle Book Award Finalist*
*Over 50 5 Star Reviews*
One of 2017’s best will surely be A Good Girl by author Johnnie Bernhard, who as much as any writer since Flannery O’Connor and Walker Percy, offers a breathtaking tour of the human heart in conflict with itself, desperately searching for grace and redemption in the face of unremitting loss. Bernhard’s sentences are filled with the stuff of what blues and country music singers refer to as “soul” and “high lonesome.”
–Jim Fraiser, The Sun Herald Newspaper
Relatable and real, A Good Girl speaks to the heart of what it means to be human and that generations come and go, but love binds us together.
—Kathleen M. Rodgers, author of The Final Salute, Johnnie Come Lately, & Seven Wings to Glory
A Good Girl is a raw, real, and relatable gift to the soul on every level. Ms. Bernhard’s writing is so descriptive, reading this book is truly a visceral experience. One cannot help but reflect on their own family legacy and life journey. Prepare to be riveted by this heartbreaking, yet healing story about family, self-discovery and learning how to love.
–Eva Steortz, SVP, Brand Development, 20th Century Fox
A beautiful debut novel across oceans and time, with a clear, objective yet poignant Southern voice. A timeless voice much like Doctorow’s Ragtime, A Good Girl is a true Southern American story. A story of one family spanning generations, dealing with love and loss, despair, and redemption, that leaves its readers with a timeless lesson.
-Kathryn Brown Ramsperger, Author of The Shores of Our Souls and Moments on the Edge.
I have found Johnnie Bernhard’s book to touch a powerful chord in my heart. Masterfully written with deep insight into the journey of family and forgiveness, I’m a better person for having read this book.
-Cynthia Garrett, The London Sessions & The Mini Sessions (airing regularly on TBN Network), Author of The Prodigal Daughter
Sales benefit Port Lavaca, Texas! Much of the setting of A Good Girl, a six generation Texas saga, is set in Port Lavaca, Calhoun County. During the Lone Star Book Blog Tour, all author’s royalties will be donated to the Calhoun County Museum of Port Lavaca in its recovery effort after Hurricane Harvey. Texas Proud! Port Lavaca Strong!
Only recently have I begun to enjoy stories and the history of people across the pond, but I have always been drawn to pioneer and immigrant stories in American history. Bernhard’s story taught me a great deal more about these experiences than what was covered in my history classes. I had no idea just how oppressive the British were on the Irish and the false promises made to entice whole families to board coffin ships. Much like what Henry’s children came to realize, this book made me reflect on how different the hardships of the poor back then are from the poor now.
Although my parents’ immigration story is very different and my father was never an abusive drunk, I can relate to the dysfunctional family thing. Why is it that terrible traits like abuse, addiction, and adultery get passed on from generation to generation? I found myself wondering why the men never worked to break the cycle, but then I look at my family and see the same. And just like the book, it seems to be the women’s job to keep the family together and to encourage forgiveness. Why does it always seem that the women have the closer relationship with God as well?
Bernhard’s gift for storytelling let me ponder the deeper meaning of the story rather than trip over clunky dialogue or strapping myself in to suspend my disbelief. I feel like I could reach out and touch each person in this story. I sort of mentally catalogued each person under the categories of slap, shake, and hug. For the most part, I felt like I got to know each character as much as I wanted to, with the exception of Patricia’s mother and three brothers who were left in South Carolina. I know that their family line doesn’t extend down to Tom, Gracey, and Angela, but I hope that Bernhard might consider writing something about them one day. Perhaps they made it out ok but never got around to finding Patricia and poor Ana Grace.
I loved how time moved in this book. The alternating chapters of present and past worked together beautifully. And though there are many characters spanning several generations, it does not get confusing at all.
I am only beginning to learn this for myself, but I feel that the moral of the story is to forgive and let go so you can go and be happy. In church, forgiveness is a huge subject that is either glossed over or explained with the “forgive as the Lord forgave you”. But we’re not great like God; forgiveness is hard. And the truth of it is, forgiveness is for yourself too. Anger stored up inside will just fester and rot you from the inside out. That is something everyone can relate to, whether or not they believe in God.
Johnnie Bernhard, a former AP English teacher and journalist, is passionate about reading and writing. Her works have appeared in the following publications: University of Michigan Graduate Studies Publications, Heart of Ann Arbor Magazine, Houston Style Magazine, World Oil Magazine, The Suburban Reporter of Houston, The Mississippi Press, University of South Florida Area Health Education Magazine, the international Word Among Us, Southern Writers Magazine, Gulf Coast Writers Association Anthologies, The Texas Review, and the Cowbird-NPR production on small town America. Her entry, “The Last Mayberry,” received over 7,500 views, nationally and internationally.
A Good Girl received top ten finalist recognition in the 2015 William Faulkner-William Wisdom Creative Writing Competition, as well as featured novel for panel discussion at the 2017 Mississippi and Louisiana Book Festivals. It is a finalist in the 2017 national Kindle Book Award for literary fiction and a nominee for the 2018 PEN/Robert W. Bingham Prize.
Her second novel, How We Came to Be, is set for publication in spring 2018. It is a finalist in the 2017 Faulkner-Wisdom Competition.
Johnnie is the owner of Bernhard Editorial Services, LLC, where she writes book reviews for Southern Literary Review, as well as assists writers in honing their craft. Johnnie and her husband reside in a nineteenth century cottage surrounded by ancient oak trees and a salt water marsh near the Mississippi Sound. They share that delightful space with their dog, Lily, and cat, Poncho.
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Johnnie will be on the road with A Good Girl at the following locations:
November 13 Live on KSHU Radio 1430 AM, Houston, Texas, 8 a.m.
December 10 Barnes & Noble, New Orleans, noon – 2 p.m.
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One lucky winner gets a signed copy!
October 26-November 4, 2017
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JOANNA DAVIDSON POLITANO
Genre: Historical Christian Romance
Date of Publication: October 3, 2017
Number of Pages: 416
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When Aurelie Harcourt’s father dies in debtor’s prison, he leaves her just two things: his wealthy family, whom she has never met, and his famous pen name, Nathaniel Droll. Her new family greets her with apathy and even resentment. Only the quiet house guest, Silas Rotherham, welcomes her company.
When Aurelie decides to complete her father’s unfinished serial novel, writing the family into the story as unflattering characters, she must keep her identity as Nathaniel Droll hidden while searching for the truth about her mother’s disappearance—and perhaps even her father’s death.
Author Joanna Davidson Politano’s stunning debut set in Victorian England will delight readers with its highly original plot, lush setting, vibrant characters, and reluctant romance.
Praise for Lady Jayne Disappears:
“Emotional. Intriguing. Both haunting and romantic. . . In her historical fiction debut, Joanna Davidson Politano delivers a smart plot that navigates twists and turns with a mixture of wit, intelligent characters, and a refreshingly original voice. Reminiscent of Dickens’ classic storytelling, Lady Jayne Disappears is a debut to remember!”
—Kristy Cambron, author of The Illusionist’s Apprentice
“Wonderfully unique, this compelling debut grabs you from the first intriguing line. The evocative English setting, textured characters, literary theme, and unusual romance make Lady Jayne Disappears a standout, the lovely cover offering a hint of the gem within. A must read!”
—Laura Frantz, author of A Moonbow Night
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I am having trouble putting into words why this book grips me so. I think the cover, lovely like the cameo necklace my mother wore when I was a small child, beckoned me first. But then that opening chapter bound me in such a way that it tortured me to have to put this book down to get some sleep. I knew I should have started reading this over the weekend!
In retrospect, the first chapter reads different from the rest of the novel. Maybe it’s because of the terseness of the situation, but the tone doesn’t feel as Victorian as the chapters that follow. After allowing the characters to live in my mind these past few days, I also feel that the characterization of Aurelie is a little off. It is only in this first chapter that you will hear someone describe our heroine as “plain”. For the rest of the book, everyone describes her as ethereal and lovely like a wood nymph. There are even times that Aurelie looks in the mirror after a makeover and finds herself breathtaking.
I hope I’m not painting the girl as a narcissist, because she is anything but. Her talent for wordsmithing is the only thing that could tempt her to take pride in herself, and she’s easily deflated. For whatever reason, I can’t shake the idea that she reminds me of a Fannie Price, although she is much more resilient than that slip of an Austen girl. But just like Fannie, Aurelie struggles as she watches the man she loves fall for another woman (or does he?).
I don’t know if it’s because of the time period, but I felt a lot of Austen influence. Aurelie could be a cross between Fannie and Elizabeth Bennet. Juliette reminded me of an Emma mixed with Lydia Bennet. Jasper was a Wickham through and through but Silas was a hunky mix of Edmund, Mr. Darcy, and Colonel Brandon. I’m sure I would find more parallels if I put my mind to it, but I will stop there. I don’t know if the author had these characters in mind when she wrote Lady Jayne, but I do know that the mix of Austen characters I listed are polar opposites from each other. So no matter the similarities, Politano has achieved something truly special with her authentic characters.
I thought it was funny when Silas asks Aurelie about her reading preferences. Austen is mentioned but glossed over. The two prefer the less respectable form of serials, which reminded me of how the Northanger Abby characters were scandalously into gothic novels.
But enough Austen talk. The cast of characters in Lady Jane is, dare I say, perfect. No superfluous or unbelievable people are in this book. Nor do I feel like someone is missing from the line up. I’m pretty sure that this is one of the few books that have made me feel like that. I’m always quick to notice when someone says or does something out of turn. And I take wicked pleasure in pointing out when an author tosses in a token character that is hip at the moment. No one spoke a word or acted out of character, and yet I was anxious to see what would happen next. For a book where everything just felt right, Politano kept me guessing nonetheless.
I kept wondering if I could guess what was to come, and was delighted when the author proved me wrong over and over again. I adore this book and have added it to my rotation of books that are read several times a year.
Joanna Davidson Politano freelances for a small nonfiction publisher but spends much of her time spinning tales that capture the colorful, exquisite details in ordinary lives. Her manuscript for Lady Jayne Disappears was a finalist for several contests, including the 2016 Genesis Award from ACFW, and won the OCW Cascade Award and the Maggie Award for Excellence. She is always on the hunt for random acts of kindness, people willing to share their deepest secrets with a stranger, and hidden stashes of sweets. She lives with her husband and their two babies in a house in the woods near Lake Michigan and shares stories that move her on her website.
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Grand Prize: Copy of Lady Jayne Disappears + 18pc Book Lover’s Basket
2nd Prize: Copy of Lady Jayne Disappears + Vintage Library Pendant Necklace
3rd Prize: Copy of Lady Jayne Disappears + $10 Starbucks Gift Card
October 17-October 28, 2017
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