HOLDING THE FORT
The Fort Reno Series, Book 1
Genre: Historical Western Christian Romance
Date of Publication: December 5, 2017
Number of Pages: 353
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With Miss Bell as the Teacher, Everyone’s Bound to Learn an Interesting Lesson
Dance hall singer Louisa Bell has always lived one step from destitution. When she loses her job at the Cat-Eye Saloon, she has nowhere else to go but to her brother, a cavalry soldier stationed in Indian Territory. But he’s run afoul of his commanding officer. Unsure what she can do to help him and desperate for a job, she doesn’t protest when she’s mistaken for a governess at the fort. How hard can teaching really be?
Major Daniel Adams has his hands full at Fort Reno, especially raising two adolescent daughters alone. If this new governess doesn’t work out, his mother-in-law insists she’ll raise the girls herself–far away from the fort. Miss Bell bears little resemblance to Daniel’s notion of a governess–they’re not supposed to be so blamed pretty–but he finds himself turning a blind eye to her unconventional methods. Louisa has never faced so important a performance. Can she keep her act together long enough to help her brother and to secure the respectable future she’s sought for so long?
PRAISE FOR HOLDING THE FORT & THE FORT RENO SERIES:
“The first book in Jennings’ new Fort Reno series is a delightful read that helps solidify what a wonderful and imaginative writer Jennings is. She manages to create unique stories with interesting and well-developed characters while combining humor, mystery and a sprinkle of faith.”
–RT Book Reviews
“In this character-driven series launch, Jennings offers a powerful lesson on the freedom of truth and forgiveness wrapped in a delightful story of love against the odds.”
“This series launch is a charming historical romance set in 1880s Fort Reno, OK. . . . Jennings kicks off a new series with a light and enjoyable tale that will delight her fans as well as lovers of historical romance.”
Ok, I’ll admit it. I begged to review this book because of the cover. I could tell it was a period piece based on the backdrop and wardrobe. But it was the cute blonde in a pink dress with an armful of books that sold it to me.
It wouldn’t take much more to endear this book to me, but the main character, Louisa Bell, stole my heart. Anything could have happened and I would still love this book. A strong, independent woman who taught herself to sing beautifully, be still my heart. She could have easily settled by marrying or by taking on the oldest occupation, but she didn’t. No matter the hardships she has faced, she is still kind (but not a pushover!) and holds tight to people who are important to her.
We meet pretty much every character that existed in the West during Louisa’s journey: Native Americans, cowboys (more drunk than not), farmers, shopkeepers, religious folk, children, and military men. It’s great to see how she adapts to each situation. And while she never outright lies about anything, her talent for deception (or improvisation) finds her a comfortable living situation.
Only one situation in the novel felt heavy, as it was a political one. But it gave a nice inside look at the sort of dealings that took place during this time period. The atmosphere gets tense for a bit, but you never doubt that things will work out for the best. The same could be said for the romantic storyline as well. While Louisa is hiding very big secrets from the Major, you have a feeling that things will sort themselves out.
And that’s the only critique I have of this book. I would have liked something to knock me off balance and kept me flailing around for a bit. Other than that, I admire Jennings clean writing style and descriptions. The dialogue is delivered effortlessly and the characters are interesting and believable. I look forward to reading the next installment. I hope to see more of Caroline and Daisy in the coming books.
Regina Jennings is a graduate of Oklahoma Baptist University with a degree in English and a minor in history. She’s the winner of the National Readers’ Choice Award, a two-time Golden Quill finalist and a finalist for the Oklahoma Book of the Year Award. Regina has worked at the Mustang News and at First Baptist Church of Mustang, along with time at the Oklahoma National Stockyards and various livestock shows. She lives outside of Oklahoma City with her husband and four children.
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December 18-22 & December 26-30, 2017
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Genre: Southern Historical Fiction
Date of Publication: March 7, 2017
Number of Pages: 288
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A Bible’s family tree and an embroidered handkerchief hold the key to understanding the past as six generation Texan, Gracey Reiter, prepares to say goodbye to her dying father, the last surviving member of the Walsh-Mueller family. The present holds the answer and the last opportunity for Gracey to understand her father’s anger, her mother’s guilt, and her siblings’ version of the truth.
The Walsh-Mueller family begins in Texas when Patricia Walsh leaves the famine of nineteenth century Ireland, losing her parents and siblings along the way. She finds a home, love, and security with Emil Mueller in a German settlement near Indianola on the Texas Gulf Coast. They begin their lives on a small cotton farm, raising six sons. From the coastal plains of Texas, five generations survive hurricanes, wars, The Great Depression, and life, itself.
An all-encompassing novel that penetrates the core being of all who read it, A Good Girl pulls back the skin to reveal the raw actualities of life, love and relationships. It is the ageless story of family.
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PRAISE FOR A GOOD GIRL:
*2017 Kindle Book Award Finalist*
*Over 50 5 Star Reviews*
One of 2017’s best will surely be A Good Girl by author Johnnie Bernhard, who as much as any writer since Flannery O’Connor and Walker Percy, offers a breathtaking tour of the human heart in conflict with itself, desperately searching for grace and redemption in the face of unremitting loss. Bernhard’s sentences are filled with the stuff of what blues and country music singers refer to as “soul” and “high lonesome.”
–Jim Fraiser, The Sun Herald Newspaper
Relatable and real, A Good Girl speaks to the heart of what it means to be human and that generations come and go, but love binds us together.
—Kathleen M. Rodgers, author of The Final Salute, Johnnie Come Lately, & Seven Wings to Glory
A Good Girl is a raw, real, and relatable gift to the soul on every level. Ms. Bernhard’s writing is so descriptive, reading this book is truly a visceral experience. One cannot help but reflect on their own family legacy and life journey. Prepare to be riveted by this heartbreaking, yet healing story about family, self-discovery and learning how to love.
–Eva Steortz, SVP, Brand Development, 20th Century Fox
A beautiful debut novel across oceans and time, with a clear, objective yet poignant Southern voice. A timeless voice much like Doctorow’s Ragtime, A Good Girl is a true Southern American story. A story of one family spanning generations, dealing with love and loss, despair, and redemption, that leaves its readers with a timeless lesson.
-Kathryn Brown Ramsperger, Author of The Shores of Our Souls and Moments on the Edge.
I have found Johnnie Bernhard’s book to touch a powerful chord in my heart. Masterfully written with deep insight into the journey of family and forgiveness, I’m a better person for having read this book.
-Cynthia Garrett, The London Sessions & The Mini Sessions (airing regularly on TBN Network), Author of The Prodigal Daughter
Sales benefit Port Lavaca, Texas! Much of the setting of A Good Girl, a six generation Texas saga, is set in Port Lavaca, Calhoun County. During the Lone Star Book Blog Tour, all author’s royalties will be donated to the Calhoun County Museum of Port Lavaca in its recovery effort after Hurricane Harvey. Texas Proud! Port Lavaca Strong!
Only recently have I begun to enjoy stories and the history of people across the pond, but I have always been drawn to pioneer and immigrant stories in American history. Bernhard’s story taught me a great deal more about these experiences than what was covered in my history classes. I had no idea just how oppressive the British were on the Irish and the false promises made to entice whole families to board coffin ships. Much like what Henry’s children came to realize, this book made me reflect on how different the hardships of the poor back then are from the poor now.
Although my parents’ immigration story is very different and my father was never an abusive drunk, I can relate to the dysfunctional family thing. Why is it that terrible traits like abuse, addiction, and adultery get passed on from generation to generation? I found myself wondering why the men never worked to break the cycle, but then I look at my family and see the same. And just like the book, it seems to be the women’s job to keep the family together and to encourage forgiveness. Why does it always seem that the women have the closer relationship with God as well?
Bernhard’s gift for storytelling let me ponder the deeper meaning of the story rather than trip over clunky dialogue or strapping myself in to suspend my disbelief. I feel like I could reach out and touch each person in this story. I sort of mentally catalogued each person under the categories of slap, shake, and hug. For the most part, I felt like I got to know each character as much as I wanted to, with the exception of Patricia’s mother and three brothers who were left in South Carolina. I know that their family line doesn’t extend down to Tom, Gracey, and Angela, but I hope that Bernhard might consider writing something about them one day. Perhaps they made it out ok but never got around to finding Patricia and poor Ana Grace.
I loved how time moved in this book. The alternating chapters of present and past worked together beautifully. And though there are many characters spanning several generations, it does not get confusing at all.
I am only beginning to learn this for myself, but I feel that the moral of the story is to forgive and let go so you can go and be happy. In church, forgiveness is a huge subject that is either glossed over or explained with the “forgive as the Lord forgave you”. But we’re not great like God; forgiveness is hard. And the truth of it is, forgiveness is for yourself too. Anger stored up inside will just fester and rot you from the inside out. That is something everyone can relate to, whether or not they believe in God.
Johnnie Bernhard, a former AP English teacher and journalist, is passionate about reading and writing. Her works have appeared in the following publications: University of Michigan Graduate Studies Publications, Heart of Ann Arbor Magazine, Houston Style Magazine, World Oil Magazine, The Suburban Reporter of Houston, The Mississippi Press, University of South Florida Area Health Education Magazine, the international Word Among Us, Southern Writers Magazine, Gulf Coast Writers Association Anthologies, The Texas Review, and the Cowbird-NPR production on small town America. Her entry, “The Last Mayberry,” received over 7,500 views, nationally and internationally.
A Good Girl received top ten finalist recognition in the 2015 William Faulkner-William Wisdom Creative Writing Competition, as well as featured novel for panel discussion at the 2017 Mississippi and Louisiana Book Festivals. It is a finalist in the 2017 national Kindle Book Award for literary fiction and a nominee for the 2018 PEN/Robert W. Bingham Prize.
Her second novel, How We Came to Be, is set for publication in spring 2018. It is a finalist in the 2017 Faulkner-Wisdom Competition.
Johnnie is the owner of Bernhard Editorial Services, LLC, where she writes book reviews for Southern Literary Review, as well as assists writers in honing their craft. Johnnie and her husband reside in a nineteenth century cottage surrounded by ancient oak trees and a salt water marsh near the Mississippi Sound. They share that delightful space with their dog, Lily, and cat, Poncho.
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Johnnie will be on the road with A Good Girl at the following locations:
November 13 Live on KSHU Radio 1430 AM, Houston, Texas, 8 a.m.
December 10 Barnes & Noble, New Orleans, noon – 2 p.m.
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One lucky winner gets a signed copy!
October 26-November 4, 2017
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