Pub Date: July 26, 2021
“Making It Home could not be a more timely book… We live in an imperfect world, but it is still possible to think, imagine and make things better. The cast of characters in this strong family affirms this through their hope, decency, and tenacity!” —Eleanor Morse, author of Margreete’s Harbor
“Jones’ talent for creating indelible characters endures, as does her way with a compelling plot. … This is a timely page-turner.” Robin Lippincott, author of Blue Territory: A Meditation on the Life and Art of Joan Mitchell
Interview with Teddy Jones
What kind of writing do you do?
I write realist fiction, both novels and short stories. I do not confine myself to present day material but have never written about times earlier than the nineteenth century.
Has Texas influenced your writing in any way?
Yes. I respond deeply to places, not only the scenery and typical weather of a spot, but also the sights of life in that place, what’s present and what’s not. I also respond to the language of places and the idiom particular to people in those places. Because I have lived a large portion of my life in Texas, it’s the place (the mixture of the many places that Texas is) that I am drawn to have my characters respond to and reflect.
What do you think most characterizes your writing?
I strive to create memorable characters, not through detailed description of their appearances, but by putting them in situations that affect them and then showing from their points of view their reactions and actions, dialogue, and silences. Readers’ comments suggest that this depth of character is a quality they appreciate in my writing.
Are you a full-time writer or a part-time writer? How does this affect your writing?
I am fortunate to have writing as my full-time occupation. By that I mean that I have no paid job waiting for my attention. As a result, I either work on an existing project (short story or novel) each day or when I don’t have a defined project underway, I write “bits.” Those bits may be thoughts prompted by reflection on some reading or they might be pieces of conversations overheard, or descriptions of a situation or a character. Those bits end up in notebooks that I keep and return to when I choose a project to begin. I may find something there for the new project. Then I write straight ahead on the chosen project until I’ve told myself the story of that full story. After that comes revision after revision. Being a full-time writer means I have the time to indulge that process. And it means I have no excuse not to.
What was the hardest part of writing Making It Home?
The initial conflict in this story began in the past before the present-day characters were born. Learning of the racial tensions that created that early stain on the family’s history is now reflected in and worsened by present day bigotry and escalating violence that threatens the Jackson family and the town of Jackson’s Pond. I labored because I set myself the challenge of ‘getting it right.” I didn’t want to deal in stereotypes; the characters with the most detestable of behavior had to be real people, not stereotypes. In real life, I want people to be happy and live in harmony. So, for me, dwelling in the lives of characters in conflict is difficult, but necessary to telling the story well. And I had to live there throughout almost this entire novel.
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